With nearly universal expansion of Internet access, a lot of antiquing today happens online rather than on the ground. Despite that trend, I prefer live shopping, in spite of the closure of so many of my favorite live shops.

Most of my collecting interests lie in glass, porcelain, and other ceramics, and I buy these now almost exclusively in live venues unless I’m very familiar with the seller and know they know what they’re selling and how to ship it safely. Sure, restricting online shopping restricts my access to potential additions to my collections, but it also avoids the risks of buying online – some of which I previously experienced and which led to my marked preference for live shopping. This column deals with some of those risks, for sellers as well as buyers.

Customer who buys but doesn’t remit

This happens occasionally in online auctions. It can occur when a potential buyer gets carried away by a hot bidding war and then discovers not really wanting the item that much when it comes time to pay. If you posted the winning bid, you bought the item. If you don’t know how to control your own bidding, online auctions are probably not for you.

The obverse to this is a seller who has every desire to take your money and no impulse to send the merchandise. Over the years, there have been some well-publicized cases involving sellers who have specialized in this kind of scam.

Merchandise misrepresentation

This may be the most frequent and glaring risk of buying antiques and collectibles online. It never ceases to amaze me how often sundry pieces of no-name glass are represented by a seller as a desirable glassmaker’s work when the only thing the item has in common with the work of the alleged manufacturer is that they’re both made of glass.

But it isn’t only manufacturer misidentification that can be a problem online. Sellers can be blind to defects such as chips and cracks in porcelain and glass. I’m willing to cut sellers a bit of slack on this point since I witnessed an especially surprising dealer blind spot while I was working in an upscale antique store. A regular dealer proudly showed an item the dealer was so proud of because of its allegedly immaculate condition despite its age. The shop’s owner happened to be there at the time, and he and I shared a quick glance at each other because it was immediately obvious to us that there were a few chips and defects in the piece. It was just as clear, though, that even this professional, experienced dealer was so overwhelmed by the allure of the piece itself as to just not see its defects.

Peggy Whiteneck is a writer, collector, and dealer living in East Randolph, VT. If you would like to suggest a subject that she can address in her column, email her at  allwritealready2000@gmail.com. ​